Philosophy of the Artistic Expression

anotation

Philosophy, aesthetics, media conception of reality, the technical reproducibility of art, a shift from the principle of sight to the imaginary vision. Philosophy of the creation is described as a part of the media thinking and the perception of images, dual  reality of images to the perception of forms. The aim is to highlight the "procedural" specificity of creation, the relationship of art and thinking, thinking with differences in shape, color or principle line, dispositivity of a space and a spectator area, the relationship between art and technology, a spatial display and time display: including technical forms of mediation: the apparatus. The subject also introduce the main form of aesthetics as a theoretical technique of artistic creation: so theory and criticism and its historical development. Internal differentiation of aesthetics with its systematical layout and methodological complexity. Specifics based on Baumgartner distinction between gnoetic and intellect abd aisthesis, sensibility givens. Since the 18th century the word aesthetic theory of art and beauty,  emphases on aisthésis: perception. The critical phase is then represented primarily by Kant - Critique of Judgement - who insists on internal finality of the work of art in its specificity and Hegel, with its introduction to relation of artworks to the direction of historical development. Contemporary aesthetics represents an attempt to widen the concept of the aesthetics of life, forms of knowledge, feeling and action. Finally, the students  study attempts to cross the traditional formula of aesthetic perception (W.Welsh, P. Virilio. A. Danto, J. Ranciere), in which each in their own way points to a deeper difference between intellect and perception. Students should thus able to understand - and take the advantage of this in their creation - an interconnected role of philosophy - and aesthetics, which reconfigures the space of art philosophy and artistic creation.